Debussy 's La Mer The Sea; is one of the most famous non-symphonic orchestral pieces ever written. During the s, oceanic imagery had proven a recurrent source of inspiration for the composer. La Mer, however, goes a great deal farther than any previous work -- by Debussy or any other composer -- in capturing the raw essence of this most evocative of nature's faces.
Intro - Aerosmith - Get A Grip Mer is no mere exercise in musical scene-painting, but rather a sonic representation of the myriad thoughts, moods, and basic instinctual reactions the sea draws from an individual human soul.
As in so much of the composer's mature music, it is not always possible to draw a clear distinction between thematic material and accompaniment and texture. There are passages Gratitude - Deuter - Cosmic Dreams which the rhythmic and metric scheme is obscured, perhaps intentionally so, by as many as six or seven different layers of simultaneous activity.
The movement ends with one of the most striking of the composer's musical affirmations: In an enigmatic gesture, the final forte-fortissimo brass attack dies away to piano as the movement draws to a close. The scoring of "Jeux de vagues" is, on the whole, more austere than that of the first movement. Frequent trills and bursts of rhythmic vitality vividly bring to life the movement's frolicsome, Eugene Ormandy - La Mer / Prelude To The Aft subject matter, while the extremely quiet ending purposely fails to resolve any La Mer - Debussy* / Ravel* the musical expectations set out in the preceding, more active sections.
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