The adolescent Maconchy began her musical studies in Dublin, studying piano with Edith Boxhill, and harmony and counterpoint with Dr John Larchet. Inat the age of sixteen, she moved to London to enrol at the Royal College of Music. Early compositions such as the violin sonata and Piano Concertino of already show the influence Crown Of Creation - Jefferson Airplane - Crown Of Creation European composers, especially Bartok.
Her first public recognition came in March 19, with a performance of her Piano Concerto, conducted by her teacher Quartet No. 13 Quartetto Corto - Elizabeth Maconchy - Complete String QuartetsKarel Jirak.
In response to the scarce opportunities for young avant garde composers and for female composers, a group women got together to organise regular concerts at the small Ballet Club Lucas Crane Is Insane - Ben Dope - Rigamarole Schmigamarole in Notting Hill, London, showcasing new work. It has been claimed that this venture "changed the face of music in London", and that it "prove[d] a lifeline for Elizabeth Maconchy through the s".
Maconchy did much to improve the conditions of composers, being elected Chair of the Composers Guild of Great Britain ina position she held for a number of years. Maconchy once declared that: "for me, the best music is an impassioned argument". Maconchy is considered to be "one of the finest composers Quartet No. 13 Quartetto Corto - Elizabeth Maconchy - Complete String Quartets British Isles have produced".
According to Ailie Bloony, Maconchy was "a gestural composer, concerning herself with short musical fragments, as opposed to large-scale concepts or templates", at least in part because of her "ideology" as a composer, so that "she never planned anything out, musically speaking, in any great detail in advance of composition, [and by using shorter formats] she could afford to explore the possibilities implicit in the ideas themselves as they arose".
Maconchy's cycle of thirteen string quartets, composed between andis regarded as the peak of her musical achievements. She also wrote for voice. Maconchy wrote three one-act operas, including the erotic comic opera 'The Sofa', based on an eighteenth century novel, and stylistically in "dialogue with Mozart",  which shocked the audience for its explicitness when it premiered in In she responded to war with "The Voice of the City", for women's chorus.
In she set to music prose versions of some Petrarchan sonnets, by the Irish writer J. Syngeunder the title 'My Dark Heart'. InMaconchy was invited to chair the Composers' Guild of Great Britainthe first woman to do so. From Wikipedia, the free encyclopedia. Oxford Dictionary of National Biography online Jan ed. Oxford University Press.
Petrak, Albert M. Green's Biographical Encyclopedia of Composers. Retrieved 17 December November Retrieved 27 December The Rough Guide to Classical Music. The Northeastern Dictionary of Women's Biography 3rd ed.
Blunnie is acknowledging here composer Grace Williams assessment of this device as a "fingerprint" of Maconchy. New York. Supplement to the London Gazette Categories : births deaths 20th-century classical composers 20th-century English musicians 20th-century English women musicians Alumni of the Royal College of Music Composers awarded knighthoods Dames Commander of the Order of the British Empire English classical composers Female classical composers British female classical composers Musicians from Hertfordshire People from Broxbourne String quartet composers Pupils of Ralph Vaughan Williams.
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