Tyla born Timothy Taylor is an English rock musicianbest known for his work with The Dogs D'Amour as well Daleko Je Misto Moje - Vokalno-Instrumentalni Ansambl Vela Luka - Pjesme S Jadrana (Songs From Adr an extensive solo catalogue.
As well as performing vocals, guitars and other instruments, he also illustrates the album covers in his own Fate - White (17) - White style.
In Tyla was serving as guitarist for the band Bordello Boys. When vocalist Ned Christie joined the band he brought with him a change of name, which was the beginning of The Dogs D'Amour. The recording and release of The State We're' In was problematic. Ned Christie left the band prior to the recording, resulting in Tyla adopting the role of both guitars and vocals.
Additionally, the production encountered a number of issues, most notably the album producer remixing everything to add synths, against the band's wishes. The album was released on vinyl in Finland but Kumibeat Records folded shortly after.
The Kumibeat mix has never been released on CD or in any format outside of Finland. A cassette-sourced copy of the original mix has since been released, although has Body Work - 1/2 Inch Jack - The Crash criticised for its sound quality.
Tyla rebuilt the band from scratch, adopting longtime guitarist Jo 'Dog' and returning drummer Bam, who had been around in the band's formative years. These three members form the basis of what would later come to be regarded as the band's 'classic' line-up, although longtime bassist Steve James didn't appear until Two sessions in and formed the basis of Un authorised Bootleg Albumwhich was one of two releases that came out in It featured tracks which had been live staples in the run up to the release of the band's second official album In The Dynamite Jet Saloon.
Although Un authorised Bootleg Album was originally only released in limited quantities on vinyl, it is still considered part of the band's official discography. Chronologically speaking, it is, unofficially, the band's second album. For many people this was their introduction to the band.
In the band released their third official album A Graveyard of Empty Bottles. The album was more acoustic than any of their previous records. The band's then label, China Records, was unsure of this direction and restricted the album to only featuring eight songs.
Demos and re-recordings of the omitted tracks have since emerged in later years on various releases. This was also true of 's Straightwhich was the band's first album to be recorded in the USA.
In the band famously split up on stage, with Tyla slashing his chest open with a bottle during the set. More Unchartered Heights of Disgrace was the only official record from this line-up. The band broke up for a second time and, with the exception of a compilation entitled Skeletons innothing was heard of the band until when Tyla announced that the band had once again reformed.
The second reunion was prompted by a wave of Internet tribute sites that had appeared dedicated Lovers (Acoustic) - Tyla J. Pallas - Nocturnal Nomad Electric the band in the late s.
For the second reunion bassist Steve James sat out and was replaced by Bam's wife Share, who also contributed much to the backing vocals of Happy Ever Afterreleased in The style of the album owes much to Tyla's solo albums in the late 90s, Libertine and Gothic. Indeed, Happy Ever After features a number of re-recorded songs and re-used riffs. An album of demos from the Happy Ever After sessions, Secondswas made available to members of the bands fanclub as part of the Dog's Dinner box set.
InPaul Hornby, drummer on the band's first album and onetime member of The Quireboys was discovered to be ill and The Dogs D'Amour reformed for a number of charity gigs.
An EP of four new songs, entitled Cyber Recordings was also released. The band remains active on social media and has hinted at possible new material and tour plans in Combined with the fact that the songs were revealed to have been originally written for The Dogs D'Amourthis has led some to consider the work a release by The Dogs D'Amour in all but name.
The album featured both singers on vocals, including shared vocals and harmonies, somewhat of a rarity in Tyla's discography. The album Flagrantly Yours received mixed reviews but Lovers (Acoustic) - Tyla J. Pallas - Nocturnal Nomad Electric a fan favourite. It was re-titled and re-released inminus the name Hot knives and also incorporating a second disc featuring an acoustic re-recording of the album. The line-up responsible for the Hot Knives project, minus Spike, went on to record two further albums which were released under the Tyla solo banner.
Spike went on to form a new line up of The Quireboys in Libertine and Gothicsince collated into a single double-album, contains material which arguably bares the closest stylistic similarity to The Dogs D'Amour.
There has been speculation amongst fans that some of the songs from both releases were written for his former band. At least some of the songs had been written for the abandoned Hot Knives project, whilst others were entirely new compositions. Tyla toured material from both albums in the late 90s, as well as playing hits by The Dogs D'Amour. The album remained unreleased until Tyla also contributed a vocal line to the track 'Friends' on the Babies' Stockholm Syndrome album.
Tyla's third solo period is characterised by experimentation in musical territory vastly different from his previous work. The majority of the work from this period falls into either singer-songwriter material of a mostly acoustic nature or loosely tinged industrial rock.
A number of acoustic tracks demo'd in were finally officially released in as Nocturnal Nomadwhich remains a Lovers (Acoustic) - Tyla J. Pallas - Nocturnal Nomad Electric favourite. The album marked the first time Tyla had no backing band and is almost entirely acoustic. A live album entitled Acoustic Live was also made available at gigs around this period, although it has since become unavailable and is considered a much desired rarity.
A number of compilation albums, some featuring outtakes, re-recordings, and new songs, were released around the Nocturnal Nomad era. After moving to Spain, saw the release of Lullabies For Tough Guys which, like Nocturnal Nomadsaw minimal outside collaboration. The album features a very raw production. Subsequent records would move in an increasingly electronic-orientated direction, including the use of a drum machine, bar the acoustic albums which included two volumes of re-recorded songs from The Dogs D'Amour days.
The material on both of the two studio albums is stylistically much closer to Tyla's solo material of the same period. Some fans consider these albums as solo efforts in all but name. This in spite of the fact that the live album Unleashed is composed almost entirely of songs from The Dogs D'Amour days.
Featuring a range of electric and acoustic compositions, the album marked a stylistic return to the days of Libertine and Gothicthough with more ambitious production values.
The re-recorded album features a much rawer production than the original and also omits some tracks from the original in favour of songs from The State We're In and Un Authorized Bootleg. Although the spine of the album says The Dogs D'Amourthe Lovers (Acoustic) - Tyla J. Pallas - Nocturnal Nomad Electric cover is labelled 'Tyla Presents', creating a certain ambiguity as to whether it is intended to be considered a Tyla solo album or not.
The new version featured all of the album's original eight songs, plus five others that were intended to be on the original release but omitted by the then label. Both re-recordings feature Lovers (Acoustic) - Tyla J. Pallas - Nocturnal Nomad Electric original members of The Dogs D'Amour except Tyla, but unlike When Bastards Go To Hell and Let Sleeping Dogs… they do not feature drum machines or industrial elements and include collaboration with other live musicians.
However, like both of those albums, the style on these two recordings is more similar to Tyla's solo albums of the same period. Tyla toured material from both re-recordings under the name The Dogs D'Amourbut also included many solo songs in the live set in Quinquagintameaning 50 in Latin, was titled in light of Tyla's 50th birthday.
It was the first album released Me & Bobby McGee - Soluna Samay, Gee Gee Kettel - Streetwise the name Tyla J. Pallasalthough a number of the songs were electric re-recordings of songs from Bloody Hell Fire.
As early as the original recording of A Graveyard of Empty Bottles in Tyla had released both acoustic and electric versions of songs. With the release of Devil's Supper this idea was taken to Lovers (Acoustic) - Tyla J. Pallas - Nocturnal Nomad Electric logical conclusion, with the album being released in both acoustic and electric versions in early Later in Tyla released 'Charmed', an album reminiscent of his singer-songwriter period in that it features mostly acoustic and piano-based songs.
The style of this recording differs quite substantially in places from the original album, which was besieged by production difficulties. A two disc compilation of his solo work, which included re-recordings of his 90s material and several remixes from his most recent albums was also released.
Since the formation Lovers (Acoustic) - Tyla J. Pallas - Nocturnal Nomad Electric The Tyla J. The releases continue Lovers (Acoustic) - Tyla J. Pallas - Nocturnal Nomad Electric differ in style and scope. Beginning in the first of what became a six volume series of blue-based compositions, collectively entitled The Chard Urton Blues Treasurysaw the light of day.
The last album in the series came out inwith the option to purchase all six in a special edition hand painted wooden box set also. Whilst a number of the songs on each of these albums are ostensibly rock-based, the general mood of the albums is much bluesier with a minimalist production compared to the likes of Devil's Supper or A Graveyard Of Empty Bottles MMXI.
Of the two Gold Rings features a combination of bluesier more minimalist songs as well as others that are more akin to Tyla's early s material. Towards the end of Tyla announced his intention to re-record 's Nocturnal Nomad in its entirety as a full-band electric effort. Three lives shows El Toro - Boriqva Tribe* - Tribe Tools Vol 1 the UK, in which the album was to be played in its entirety, were announced to promote the release.
Nocturnal Nomad: Electric was released in a number of editions in early Though all of the releases were released under the Tyla J.
Pallas brand, they appear to represent, with the exception of Gold Ringsa unity of style based more firmly in the blues. The album consisted of ten new tracks and features a significantly more layered production compared with The Chard Urton Blues Treasury period.
Keyboards, a harmonica, acoustic guitars, feature prominently. A live album, featuring one cut from The Extraordinary Thin Line between Love and Hate as well as a number of renditions from the recently released electric edition of Nocturnal Nomadwas also released. Beginning inThe Tyla J. This was followed in by the album In Vino Veritas and another live album, entitled simply Live. A single Here Comes The Black Confettifeaturing unreleased tracks from the album Fired - Tijuana Panthers - Wayne Interest, was also released the same year.
A remixed version of Homesick Angel was also made available digitally. The re-recording of Nocturnal Nomad was re-branded under the new band monicker for sale through Cargo Records. The digital version, however, retains the original branding. From Wikipedia, the free encyclopedia. This article has multiple issues. Please help improve it or discuss these issues on the talk page.
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